I founded my cabinet in 2005 after having had a 10 years practice in several international law firms. I wished to create a Law Firm with a new business model based on the quality rather than the quantity, prioritizing the experience and know-how, the added-value and the grey matter instead of a static vision of Law.
MJ Entertainment Law is also teams made of many experienced professionals – Attorneys at Law or Lawyers, Solicitors, Chartered Public Accountants, catalogue administrators – who I have selected among the best in their respective area of practice and have them working with me since the creation of my Firm.
This team includes professionals in France and around the world, e.g., London, Brussels, Amsterdam, New York, San Francisco, Los Angeles, Barcelona, Lisbon, Singapore …
Indeed, in an international, context, I made the choice not to limit myself to a rigid network of firms but to constitute an “à la carte” team for each mission by involving the most relevant professionals.
Since then, I’ve had the chance to meet the iconic DJs of the French Touch. I understood that to effectively advise artists and independent producers of music and especially electronic music, it was necessary to know the profession from within to better understand their specificity.
For this purpose, while I was already a practicing lawyer for 14 years, I went to the DJ Center in Paris to learn the techniques of the mix.
I also founded in 2011, then resold in 2016, a music publishing and record production company, member of SACEM, to understand the practice and know the know-how of these professions, those of phonographic production and collective management.
My English-French bilingualism, my openness and knowledge of English contract law and private international law, allow me to provide expert advice to my clients with the support of my network of experienced professionals on five continents.
My background in finance, taxation and accounting combined with my knowledge and experience in music publishing and phonographic production law and my team allow me to advise and represent artists, authors, publishers and producers of phonograms to sell or acquire editorials or masters catalogues under optimal conditions.
They trust us